I decided to take a pretty non-traditional guitar with me on this trip, always an intense choice as flying to a gig means I can only have 1 guitar with me, so it better be the right one. For this trip I brought a Parker Fly guitar, and it’s certainly been catching people’s eyes.

Parker Fly guitars were designed by Master Luthier Ken Parker, and made from 1993-2002 in Wilmington, Massachusetts, an hour from my home. In 2002 Ken sold the company, production shifted and they never quite could got it right (in my opinion). Parker Fly guitars officially went out of production in 2016.
Parker Flys are incredible that push the boundaries of guitar design. They are ultra thin, averaging under an 1” thick, ultra lightweight (this white guitar weighs a hair over 5 lbs), incredibly responsive and resonant, balanced both weight-wise and tonally, and also stable. this guitar stays in tune incredibly well. These are ergonomic guitars designed and engineered for performance. I see super cars - Mclarens and Maseratis, when I look at the contours of a Parker Fly.


For most electric guitarists - and especially guitar companies - guitar design ended in 1963; if it’s not a Fender or a Gibson and doesn’t sound like the classic tones in all our heads then we have no use for it. Ken thought outside of that box and Parker Fly guitars are one of the few truly unique guitar designs of the last 60 years. The Parker Fly is now regarded as one of the iconic guitar designs, and you’ll see them in the permanent instrument collection of the Metropolitan Museum of Art, and they are included in any collection of guitar designs.
Notable people who play Parker Flys include Pops Staples, Joni Mitchell, Pat Martino, and Bill Frisell. Many, many more too, but these folks stand tall in my mind.
My particular guitar is early production with some very unique features. It was made in early ‘94, with a body made of Cedar. During his time owning the company, Ken Parker made approximately 10,000 Fly guitars, but only 10 have Cedar bodies. This guitar also has a surprisingly fat neck, which is right up my alley.

After selling the Parker Guitar company, Ken Parker went back to building archtop guitars, his first passion. The archtop guitars Ken built in the last 20 years are some of the greatest guitars ever made, I believe they are Stradivarius level instruments and will be regarded as such for the rest of human kind. Notably, Ken is also famous globally for building the first double neck violin for L. Shankar’s use with John McLaughlin and Shakti.

I’m choosing to play a Parker Fly right now because it feels inspiring to me. I have all the great guitars at home - teles, strats, an absolutely magical ES-335, and I love them all. You’ll absolutely see me with those guitars in the future. But you’ll also find me with Parker Flys, perhaps quite a bit.
I’m finding my own voice and relationship with the Parker. My other guitars all have pre-defined identities. When I play a Stratocaster I’m channeling Ronnie Earl, my musical father. When I pick up a Tele, my main guitar for 20 years, I think of Muddy Waters and Roy Buchanan and Albert Collins, and the guitar is beautiful and inspiring but I hear all those other voices on it. The Parker Fly feels like an open canvas, and I’m finding all my own colors to paint on it.

